阿克曼自画像

一、如何评价《阿克曼自画像》?

《阿克曼自画像》口碑非常好深受广大观众喜爱，《阿克曼自画像》一经播放立刻引来无数人点赞，不仅香特尔·阿克曼演的好而且该记录片故事情节也非常紧凑，优酷影视（www.hhyy1123.com）观看起来特别流畅同时还能扣人心弦，虽然目前《阿克曼自画像》收视率一般但是该片目前受欢迎程度已经名列前茅。该记录片主演香特尔·阿克曼，她在该记录片中的演技可圈可点，受到观众认可。

二、《阿克曼自画像》为什么可以成为经典？

提起法国，人们就肯定会说出《阿克曼自画像》的名字。这部由香特尔·阿克曼导演，香特尔·阿克曼主演的《阿克曼自画像》，在当时，真的是成为了一匹黑马，杀出了一条血路，创造了一个奇迹。为何会这么说，我想，就连香特尔·阿克曼导演和香特尔·阿克曼，都没想到这部记录片会得到这样好的反响。香特尔·阿克曼先生曾说过，这是一群失意的人凑到了一起创作出来的一部作品。因为在《阿克曼自画像》开拍之前，香特尔·阿克曼已经有几年无戏可拍，而香特尔·阿克曼主演的记录片，票房始终不理想，这样的几个人凑在了一起，也真是缘分！所以，正是这样的失意感和强烈的自尊心，他们在记录片中投入的热情，是我们难以想象的，其实《阿克曼自画像》中的人物心理历程和感人的剧情，何尝不是现实中他们的真实写照呢？所以，他们怀着一腔心有不甘的英雄气，用他们的实力和人情成就了这部经典记录片，也成就了他们自己！

三、《阿克曼自画像》是哪一年上映的？

《阿克曼自画像》是香特尔·阿克曼于1997年拍摄的一部经典记录片。此片开创法国当代记录片的先河，《阿克曼自画像》上映时票房稳坐前三，创下当年纪录。当时香特尔·阿克曼均为最佳主角，香特尔·阿克曼以精彩演技和突出形象，奠定在法国影坛地位。香特尔·阿克曼饰演角色造型多年后仍为人所模仿。香特尔·阿克曼之前曾被人怀疑其能力，而《阿克曼自画像》却奠定香特尔·阿克曼记录片风格。《阿克曼自画像》首映时曾获海外记录片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1997年代）法国（法国）优秀记录片齐名。

四、《阿克曼自画像》记录片的主要内容

《阿克曼自画像》是一部记录片，由导演：香特尔·阿克曼执导，主演：香特尔·阿克曼。《阿克曼自画像》When asked to participate in the Cinema, of Our Time series, Chantal Akerman jokingly suggested herself as subject matter. She envisioned a film consisting solely of excerpts from her films, but when pressed by the producers to include footage of herself, Akerman grudgingly agreed, and divided the film into two parts. The first part opens with Akerman in her apartment, reading from a text directly to the camera, describing the problems she encountered making this film. What emerges from this mise-en-scene is a funny, often personal, and always thoughtful confession from this extremely perceptive filmmaker. Part two lets Akerman's films speak for her, taking clips from her extensive filmography and linking them anonymously until they form a new film. There are scenes from JEANNE DIELMAN, her best-known film, but also glimpses of several other works - forays into experimental film, comedic shorts, musicals, narrative features - including an early short that stars a very young Chantal.

五、《阿克曼自画像》讲述的是什么故事？

《阿克曼自画像》When asked to participate in the Cinema, of Our Time series, Chantal Akerman jokingly suggested herself as subject matter. She envisioned a film consisting solely of excerpts from her films, but when pressed by the producers to include footage of herself, Akerman grudgingly agreed, and divided the film into two parts. The first part opens with Akerman in her apartment, reading from a text directly to the camera, describing the problems she encountered making this film. What emerges from this mise-en-scene is a funny, often personal, and always thoughtful confession from this extremely perceptive filmmaker. Part two lets Akerman's films speak for her, taking clips from her extensive filmography and linking them anonymously until they form a new film. There are scenes from JEANNE DIELMAN, her best-known film, but also glimpses of several other works - forays into experimental film, comedic shorts, musicals, narrative features - including an early short that stars a very young Chantal.

六、被称为记录片的开先河之作的《阿克曼自画像》，是香特尔·阿克曼最好的作品吗?

从香特尔·阿克曼斩获记录片最佳导演我就觉得这部《阿克曼自画像》是他最好的记录片。虽然香特尔·阿克曼后来还拍出来了评价特别好的记录片，但是《阿克曼自画像》是他记录片的代表作品。