阿拉亚

一、《阿拉亚》记录片的主要内容

《阿拉亚》是一部记录片，由导演：Margot,Benacerraf执导，主演：José,Ignacio,Cabrujas,Laurent,Terzieff。《阿拉亚》《阿拉亚》是委内瑞拉传奇女导演玛戈·贝纳塞拉芙唯一一部纪录长片，它在拉美影史上占有相当重要的位置，是委内瑞拉民主后第一部获得国际声誉的电影，当年在嘎纳它与阿伦·雷奈的《广岛之恋》共同分享了国际评论家奖，也都获金棕榈提名却最终未果，尽管名气不如《广岛之恋》和《黑人奥菲尔》那么大，但在专业人士眼中此片一直都是研究拉美女性电影所必修的经典，影片出色的摄影时常被人们所赞美，是与卡拉托佐夫的《我是古巴》齐名的诗意电影杰作，法国著名导演让·雷诺阿在看过影片后称赞《阿拉亚》是他所见过最完美的纪录片之一。贝纳塞拉芙就像是委内瑞拉影坛的特吕弗和亨利·朗格鲁瓦，她不仅是第一位毕业于巴黎电影学院（IDHEC）的拉美导演，而且在1966年创办了委内瑞拉电影资料馆，虽然由于资金短缺问题，她个人的导演生涯并不顺利，作品也很少，但却为新委内瑞拉电影的发展成立基金会，并曾获得世界各国的无数荣誉和勋章。 转自AUESS的博客资料（http://blog.sina.com.cn/s/blog_497f6a250100cxm0.html） Shown at Cannes in 1959, the year after Venezuela's last dictator Marcos Perez-Jimenez was overthrown, the documentary inadvertently highlights the kind of exploitation of the poor that can lead to rebellion. While the dictator escaped to Miami with $13 million, salt workers were piling up mounds of salt on the flat sands, making barely enough money to keep them in arepas and black beans. Between the hot, tropical climate and the sores on their feet, the job these workers do every day is excruciating. Yet the lives of the fishermen and salt workers in this documentary are shown in the context of planned, upscale development, something of a disservice to the larger picture. With not much making a great impression thus far at the Berlinale, Margot Benacerraf's lovely documentary Araya comes as a breath of fresh air from 1959. Reminiscent of Agnes Varda's debut film La Pointe-courte (1954) in its artful but somewhat ambivilant attitude towards filming a local community and their work clearly admired by the filmmakers, Benacerraf's film focuses on the inhabitants of Araya, a desolate area in Venezuela subsiding through a long history on the wealth of its great salt marshes. Araya was originally compared to Flaherty's Man of Aran, Visconti's La Terra Trema (1947) and Rossellini's India (1957). Margot Benacerraf has described the film as "a cinematic narration based on script writing rather than a spontaneous action, a feature documentary, the opposite of Italian neorealism".

二、《阿拉亚》为什么可以成为经典？

提起西班牙，人们就肯定会说出《阿拉亚》的名字。这部由Margot,Benacerraf导演，José,Ignacio,Cabrujas,Laurent,Terzieff主演的《阿拉亚》，在当时，真的是成为了一匹黑马，杀出了一条血路，创造了一个奇迹。为何会这么说，我想，就连Margot,Benacerraf导演和José,Ignacio,Cabrujas,Laurent,Terzieff，都没想到这部记录片会得到这样好的反响。Margot,Benacerraf先生曾说过，这是一群失意的人凑到了一起创作出来的一部作品。因为在《阿拉亚》开拍之前，José,Ignacio,Cabrujas,Laurent,Terzieff已经有几年无戏可拍，而José,Ignacio,Cabrujas,Laurent,Terzieff主演的记录片，票房始终不理想，这样的几个人凑在了一起，也真是缘分！所以，正是这样的失意感和强烈的自尊心，他们在记录片中投入的热情，是我们难以想象的，其实《阿拉亚》中的人物心理历程和感人的剧情，何尝不是现实中他们的真实写照呢？所以，他们怀着一腔心有不甘的英雄气，用他们的实力和人情成就了这部经典记录片，也成就了他们自己！

三、《阿拉亚》讲述的是什么故事？

《阿拉亚》《阿拉亚》是委内瑞拉传奇女导演玛戈·贝纳塞拉芙唯一一部纪录长片，它在拉美影史上占有相当重要的位置，是委内瑞拉民主后第一部获得国际声誉的电影，当年在嘎纳它与阿伦·雷奈的《广岛之恋》共同分享了国际评论家奖，也都获金棕榈提名却最终未果，尽管名气不如《广岛之恋》和《黑人奥菲尔》那么大，但在专业人士眼中此片一直都是研究拉美女性电影所必修的经典，影片出色的摄影时常被人们所赞美，是与卡拉托佐夫的《我是古巴》齐名的诗意电影杰作，法国著名导演让·雷诺阿在看过影片后称赞《阿拉亚》是他所见过最完美的纪录片之一。贝纳塞拉芙就像是委内瑞拉影坛的特吕弗和亨利·朗格鲁瓦，她不仅是第一位毕业于巴黎电影学院（IDHEC）的拉美导演，而且在1966年创办了委内瑞拉电影资料馆，虽然由于资金短缺问题，她个人的导演生涯并不顺利，作品也很少，但却为新委内瑞拉电影的发展成立基金会，并曾获得世界各国的无数荣誉和勋章。 转自AUESS的博客资料（http://blog.sina.com.cn/s/blog_497f6a250100cxm0.html） Shown at Cannes in 1959, the year after Venezuela's last dictator Marcos Perez-Jimenez was overthrown, the documentary inadvertently highlights the kind of exploitation of the poor that can lead to rebellion. While the dictator escaped to Miami with $13 million, salt workers were piling up mounds of salt on the flat sands, making barely enough money to keep them in arepas and black beans. Between the hot, tropical climate and the sores on their feet, the job these workers do every day is excruciating. Yet the lives of the fishermen and salt workers in this documentary are shown in the context of planned, upscale development, something of a disservice to the larger picture. With not much making a great impression thus far at the Berlinale, Margot Benacerraf's lovely documentary Araya comes as a breath of fresh air from 1959. Reminiscent of Agnes Varda's debut film La Pointe-courte (1954) in its artful but somewhat ambivilant attitude towards filming a local community and their work clearly admired by the filmmakers, Benacerraf's film focuses on the inhabitants of Araya, a desolate area in Venezuela subsiding through a long history on the wealth of its great salt marshes. Araya was originally compared to Flaherty's Man of Aran, Visconti's La Terra Trema (1947) and Rossellini's India (1957). Margot Benacerraf has described the film as "a cinematic narration based on script writing rather than a spontaneous action, a feature documentary, the opposite of Italian neorealism".

四、如何评价《阿拉亚》?

《阿拉亚》口碑非常好深受广大观众喜爱，《阿拉亚》一经播放立刻引来无数人点赞，不仅José,Ignacio,Cabrujas,Laurent,Terzieff演的好而且该记录片故事情节也非常紧凑，优酷影视（www.hhyy1123.com）观看起来特别流畅同时还能扣人心弦，虽然目前《阿拉亚》收视率一般但是该片目前受欢迎程度已经名列前茅。该记录片主演José,Ignacio,Cabrujas,Laurent,Terzieff，她在该记录片中的演技可圈可点，受到观众认可。

五、《阿拉亚》是哪一年上映的？

《阿拉亚》是Margot,Benacerraf于1959年拍摄的一部经典记录片。此片开创西班牙当代记录片的先河，《阿拉亚》上映时票房稳坐前三，创下当年纪录。当时José,Ignacio,Cabrujas,Laurent,Terzieff均为最佳主角，José,Ignacio,Cabrujas,Laurent,Terzieff以精彩演技和突出形象，奠定在西班牙影坛地位。José,Ignacio,Cabrujas,Laurent,Terzieff饰演角色造型多年后仍为人所模仿。Margot,Benacerraf之前曾被人怀疑其能力，而《阿拉亚》却奠定Margot,Benacerraf记录片风格。《阿拉亚》首映时曾获海外记录片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1959年代）西班牙（西班牙）优秀记录片齐名。

六、被称为记录片的开先河之作的《阿拉亚》，是Margot,Benacerraf最好的作品吗?

从Margot,Benacerraf斩获记录片最佳导演我就觉得这部《阿拉亚》是他最好的记录片。虽然Margot,Benacerraf后来还拍出来了评价特别好的记录片，但是《阿拉亚》是他记录片的代表作品。